攝 影 之 聲 var _gaq = _gaq || []; _gaq.push(['_setAccount', 'UA-5141271-3']); _gaq.push(['_trackPageview']); (function() { var ga = document.createElement('script'); ga.type = 'text/javascript'; ga.async = true; ga.src = ('https:' == document.location.protocol ? 'https://ssl' : 'http://www') + '.google-analytics.com/ga.js'; var s = document.getElementsByTagName('script')[0]; s.parentNode.insertBefore(ga, s); })(); Tumblr (3.0; @vopmagazine)http://www.vopmagazine.com/ 文 /...http://www.vopmagazine.com/post/22366127661http://www.vopmagazine.com/post/22366127661Fri, 04 May 2012 11:40:49 +0800Niu Chun-Chiangexhibitionleeweii 今晚來聊攝影吧! 攝影對談登場!▲▲影像巴別塔系列講座▲▲- 誠品信義店3F Mini Forum (台北市松高路11號)- 五月每周三晚上8:00-9:30- /免費入場/5/2(三)...http://www.vopmagazine.com/post/22199870172http://www.vopmagazine.com/post/22199870172Wed, 02 May 2012 01:14:28 +0800talksphotographyleeweii 文 / 李威儀 這七年來，愛爾蘭攝影師 Richard...http://www.vopmagazine.com/post/21264596204http://www.vopmagazine.com/post/21264596204Tue, 17 Apr 2012 20:03:00 +0800Richard MosseInfraphotobookkodakphotojournalismleeweii 文 / 李威儀許多人會蒐集照片，但未必能像收藏家Peter J. Cohen一樣，花費數十年蒐集同樣主題的照片——三個女人的照片。 《The Three...http://www.vopmagazine.com/post/20833121503http://www.vopmagazine.com/post/20833121503Tue, 10 Apr 2012 15:40:00 +0800AmericaKodakThe Three GracesWomenphotobooksnapshotshistoryleeweii Voices of Photography 攝影之聲  Issue 4&#160;: 地景...http://www.vopmagazine.com/post/20166305413http://www.vopmagazine.com/post/20166305413Fri, 30 Mar 2012 19:39:00 +0800VOPlandscapephotographyleeweii 「生活，對我而言，精彩之處在於暗巷有更暗的暗巷，黑夜有更深的黑夜，角落有更曲折的角落，邊緣有更邊緣的邊緣」 ─...http://www.vopmagazine.com/post/19627517567http://www.vopmagazine.com/post/19627517567Tue, 20 Mar 2012 23:04:00 +0800鍾文音暗室微光Chung Wenyinleeweii 文 /...http://www.vopmagazine.com/post/19123220767http://www.vopmagazine.com/post/19123220767Sun, 11 Mar 2012 00:00:00 +0800photobook広川泰士still crazyjapannucleartaishi hirokawa311反核leeweii 文 / 李威儀 世界上有許多地鐵都因為它的特色而著稱，例如紐約地鐵的野，東京地鐵的擠。但相對於Walker Evens的《Many are called》、Bruce...http://www.vopmagazine.com/post/18897000606http://www.vopmagazine.com/post/18897000606Wed, 07 Mar 2012 18:41:00 +0800photobookmichael wolftokyo compressiontokyo compression revisitedjapantokyosubwayleeweii 文 /...http://www.vopmagazine.com/post/17487762772http://www.vopmagazine.com/post/17487762772Sun, 12 Feb 2012 22:51:00 +0800Showa 88薄井一議昭和八十八年Kazuyoshi Usuijapan攝影書photobookleeweiihttp://www.vopmagazine.com/post/17201860568http://www.vopmagazine.com/post/17201860568Tue, 07 Feb 2012 15:26:00 +0800VOPback issuesleeweii<iframe src="http://player.vimeo.com/video/35456713?title=0&byline=0&portrait=0&color=59a5d1" width="400" height="225" frameborder="0"></iframe><br/><br/><p>Voices of Photography 攝影之聲</p> <p><span>Issue 3 : 走出現實 Walk out from reality</span></p> <div><span>當社會中的真實已比虛幻還虛幻，而虛幻遠比真實還真實，有時不禁要問，我們所處的現實世界，究竟是一種什麼樣的狀態呢？攝影曾被託付的「寫真」、「紀實」功能，如何從弔詭的擬像世界出走？這次我們試圖探看攝影中現實與超現實的面向。</span></div> <div><span><br/></span></div> <div><span>在這期的《攝影之聲》中，日本藝術家Yumiko Utsu以綺麗而古怪的靜物拼盤，挑釁沾滿慾望的人間；橫田大輔從私寫真中挖掘出日常記憶，轉化為猶如迷幻音樂般曖昧模糊的印象音場；台灣藝術家陳順築則以磁磚和家族老照片拼貼的影像語言，重新書寫內心深處的時光遊記；法國創作組合Thomas Rousset和Raphaël Verona，在平凡無奇的生活場景中，塑造了虛實交融的魔幻寫實劇場；中國攝影師史暘，透過都市巨獸的失衡錯位與猛暴的黑白反差，疊起錯落的空間和晦澀不安的視覺想像。而在本期的Artist’s Showcase裡，我們也回顧攝影家張照堂1989年的〈非影像札記〉，重讀他在七○至八○年代超脫實相與夢境的文字影像哲學，從中發現浮遊於生活斷片之內的虛實幻影。 </span></div> <div><span><br/></span></div> <p><span>When the reality in the society becomes more surreal than the surreal and the imagined far more real than reality, sometimes we can’t help but wonder: what is the world we live in like? Photography used to be entrusted with the function of “recording the truths and reality”, how could it escape from the ironic world of illusionary images? This time, we will try and explore the real and the surreal in photography.</span></p> <p><span>In this issue of Voices of Photography, Japanese artist Yumiko Utsu challenges the world that is filled with desires with colorful yet eccentric still-life collages; Daisuke Yokota uncovers everyday life memories from his personal photographs and transform them into vague images of sound similar to psychedelic music; Taiwanese artist Chen Shun-Chu combines ceramic tiles and old family photographs into a language of images, rewriting the journals of time deep inside his heart; French artists Thomas Rousset and Raphaël Verona create a stage of magical reality, where the real and the imaginary are interwoven together; Chinese photographer Shen Yang constructs imagined spaces and visual experiences of agitation using the contrast between disproportionate and displaced city monsters. In the Artist’s Showcase, we reviewed Photographer Chang Chao-Tang’s 1989 classic “Notes About the Non-images” and revisits his 1970-1980 notes that transcend reality and dreams, together with his philosophy about photography. The real surrealism, as it turns out, exists in the snapshots of the reality itself.</span></p>http://www.vopmagazine.com/post/16296603388http://www.vopmagazine.com/post/16296603388Mon, 23 Jan 2012 01:46:00 +0800VOPissueleeweii 文 /...http://www.vopmagazine.com/post/14356001275http://www.vopmagazine.com/post/14356001275Sat, 17 Dec 2011 23:43:00 +0800AgbogbloshieGhanaPhotoBookPieter HugoPrestele-wastePermanent Errorleeweii 文 / 陳依秋 2006年的時候， 《Come...http://www.vopmagazine.com/post/14204986377http://www.vopmagazine.com/post/14204986377Wed, 14 Dec 2011 13:46:00 +0800PhotoBookrobert frankcome againsteidlleeweii<iframe src="http://player.vimeo.com/video/32128789?title=0&byline=0&portrait=0&color=baf5dd" width="400" height="224" frameborder="0"></iframe><br/><br/><p><em><strong>Voices of Photography 攝影之聲</strong></em></p> <p><strong>Issue 2 : 暴力 Violence</strong></p> <p><span id="internal-source-marker_0.243518787057586">若說 2011 年是衝突動盪的年度應不為過。今年國際間發生了不少大事，包括「阿拉伯之春」掀起的連鎖起義、日本強震海嘯引發的緊急核安問題、蓋達基地組織首領賓拉登遭美國狙殺，乃至近期強人領袖格達費在利比亞內戰中被反抗軍處決及疑遭虐待等等事件，籠罩在各種環境衝突、政治衝突、社會衝突與報復主義中，全球度過了暴力的一年，卻未為暴力劃下句點。</span><br/><span></span><br/><span>當加害者與受害者的界線逐漸模糊、對於社會的冷漠無感甚而形成了另一種集體暴力，今日已難給予暴力明確的定義，但我們以攝影作為解讀暴力的註腳，藉此探索其中的樣貌。</span><br/><span></span><br/><span>在這期的《攝影之聲》中，塞爾維亞籍攝影家Boogie，在今年夏天踏進治安惡名昭彰的牙買加首都京斯敦，遊走黑暗之地捕捉氣氛詭譎的社會場景；長駐非洲的義大利攝影記者Martina Bacigalupo，揭露剛果婦女在面對生產照護不足的醫療之外，背後隱藏的性別與國家暴力問題；一般人避之不及</span><span>的街頭鬥毆，</span><span>芬蘭攝影師</span><span>Harri Pälviranta卻在暗夜蒐集、檢視人類原始的拳頭本能</span><span>；</span><span>台灣攝影師雍志中以紀錄血脈賁張的放血派對，作為反抗集體價值暴力對個人身體的壓迫</span><span>；旅日韓國攝影師梁丞佑則觀察新宿歌舞伎町衝突街頭中，生猛的次文化現象。此外，本期的Artist’s Showcase也特別介紹台灣攝影家陳伯義簡單卻富有禪意的石人系列，他以敏銳的觀察力與想像力，發掘了一個幽默的微觀世界。</span></p> <p><span id="internal-source-marker_0.9413677486048898">It is not an exaggeration to say that 2011 has been a year of chaos. Many major events happened around the world, including the Tunisian Revolution that resulted in a series of revolutions in the Arab world, the nuclear security problem caused by the Japan earthquake and tsunami in March, the founder and leader of the Al-Qaeda being shot and killed by US Navy and CIA operatives, and the recent news that Muammar Gaddafi was suspected to be abused and killed by the rebels in the civil war in Libya. The world has seen a violent year, shrouded in vengeance and all kinds of environmental, political and social conflicts, but has yet to put an end to the violence.</span><br/><span></span><br/><span>When the line between the victim and the murderer is gradually being blurred, and the lack of feelings and compassion to the society has become another kind of collective violence, it is hard to give “violence” a clear definition. However, we have used photography as a tool in trying to explore and interpret the different faces of violence.</span><br/><span></span><br/><span>In this issue of VOP, Serbian photographer Boogie set foot this summer on Kingston, the notorious capital of Jamaica, and captured the dark and unseen sights of the underworld; the Italian photographer Martina Bacigalupo, who is based in Africa, reveals the gender and national violence problem behind the lack of healthcare that Congo women face during pregnancy; Finnish photographer </span><span>Harri Pälviranta</span><span> collects sights of the instinctual physical violence present in the street fights that others usually avoid; Taiwanese photographer Yung Chih-Chung rebels against the violence in the mainstream oppression of the bodies of individuals through documenting the intoxicating “bloodletting party”; Japan-based Korean photographer Yang Seungwoo serves the aggressive sub-culture of the street conflicts in the Kabuki-cho in Shinjuku, Japan. Also, this issue of the Artist’s Showcase makes a special introduction of the Taiwanese photographer’s simple and Zen “Stone Age” series, which shows a humorous and profound micro-world that the artist founded using his acute observations and imagination. </span></p>http://www.vopmagazine.com/post/12831067135http://www.vopmagazine.com/post/12831067135Tue, 15 Nov 2011 17:41:51 +0800VOPviolenceissueleeweii Oh Yeah!!! 等待已久的《攝影之聲》第二輯!!! 準備和大家見面!!! VOP#2 is ready to go!!! Stay tuned!!!http://www.vopmagazine.com/post/12741806041http://www.vopmagazine.com/post/12741806041Mon, 14 Nov 2011 00:31:27 +0800VOPcoming outcoverleeweii 大家有注意到創刊號中有一頁貼紙嗎? 在VOP創刊號中，我們除了專訪馬來西亞華裔藝術家符芳俊、介紹了他充滿創意的【藍與白】系列，也特別與他共同製作了「柳景盤」山水圖的圓形貼紙，收錄於創刊號中，作為讀者的...http://www.vopmagazine.com/post/12148694589http://www.vopmagazine.com/post/12148694589Mon, 31 Oct 2011 11:43:06 +0800符芳俊Fan Chon Hooreaderstickerleeweii 「柳景盤」是一個中國民間故事，一個西方人再熟悉不過，但是我們卻毫無頭緒的經典愛情故事。  富家女愛上了有才氣卻貧窮的男子，來自不同世界的二人為愛攜手私奔，奔過了一山又一山，氣急敗壞的父親在後頭追趕，...http://www.vopmagazine.com/post/12100804460http://www.vopmagazine.com/post/12100804460Sun, 30 Oct 2011 10:50:00 +0800符芳俊Fan Chon Hooleeweii 眼前被奇異的紅色所染上的大地，是來自愛爾蘭籍攝影師 Richard Mosse 在剛果所拍攝的〈Infra〉專題。 在這七年來，Mosse...http://www.vopmagazine.com/post/11693121266http://www.vopmagazine.com/post/11693121266Thu, 20 Oct 2011 22:07:00 +0800InfraRichard MosseTrifolio Pressphotobookleeweii 當個人出版的浪潮開始興起，攝影書當然也不例外。 從VOP創刊號開始，每一期我們都將透過「獨立攝影書」的單元，從「獨立攝影書庫 (indie Photobook Library)...http://www.vopmagazine.com/post/11319433322http://www.vopmagazine.com/post/11319433322Wed, 12 Oct 2011 00:31:00 +0800indie photobook libraryiPL獨立攝影書庫Larissa Leclairleeweii 繼12年前荒木经惟 (Nobuyoshi Araki) 在北美館首次舉行攝影展覽之後，今年九月荒木以一系列帶點神秘感的黑框拍立得照片重回台北，在藝譔堂舉行了「BLACK FRAME...http://www.vopmagazine.com/post/11162557060http://www.vopmagazine.com/post/11162557060Sat, 08 Oct 2011 09:27:00 +0800Motto HisakoNobuyoshi Arakiexhibition拍立得本尾久子荒木経惟leeweii